-->

Monday, October 5, 2009

How To Respond Effectively To Design Criticism

Winston Churchill once said: “Criticism may not be agreeable, but it is necessary. It fulfills the same function as pain in the human body. It calls attention to an unhealthy state of things.” Regardless of where you work or who you work for, being able to take criticism is part of the job description. Whether you’re getting feedback from your boss or a client, having a proper perspective on criticism and a sound understanding of how to use it effectively is important.

Unfortunately, not many people enjoy criticism. In fact, many have developed a thick skin and take pride in their ability to brush it off and move on. However, despite its negative connotation, criticism often presents an excellent opportunity to grow as a designer. Before you can respond effectively, you need to understand what those opportunities are.

How to Respond Effectively to Design Criticism

Let’s take at some important aspects of getting constructive criticism:

  • Uncover blind spots
    Doing your own thing is easy, but your habits will eventually become deeply ingrained and hard to break. Criticism gives you a vital outside perspective on your work, uncovering potential areas for improvement that you are unable to see by yourself.
  • Challenge yourself
    Feedback challenges you to be a better designer. Rather than settle for your own standards, you are pushed to take your work to the next level.
  • Develop communication skills
    If nothing else, dealing with a critic can dramatically improve the way you communicate — an essential skill for any successful design career.
  • Outside motivation
    Constructive criticism often gives you the kick in the butt you need to learn a new design skill or technique. Self-motivation is great, but everyone could use a hand from time to time.
  • A lesson in humility
    Never underestimate the importance of humility. Although criticism can bruise the ego, it keeps you grounded, making you easier to work with and more open to learning from others.

A positive view of criticism isn’t enough. You also need to know how to respond effectively when it comes. Here are eight tips you can use to start making the most of criticism today.

1. Have The Right Attitude

Design is subjective and, like any art form, has no rulebook. No one can tell you what is “right” and “wrong” with your work, but that doesn’t mean you can completely ignore your boss or client’s opinion either. However, by taking criticism and feedback with the right attitude, you can use it to your advantage and even enjoy it.

Everyone looks at design through a filter shaped by personal experience, and this filter is usually very different from your own. While you may have a degree in design and 10 years of experience, not everyone will agree with your “expert” opinion, so don’t expect them to. The important thing is to have a proper attitude from the beginning. Expect others to disagree with you, and be open to new perspectives. Align your expectations and understand that criticism is part of the process. While harsh criticism can cut deep and even scar, it can also motivate, instruct and do all of the good things mentioned above.

Last, but not least, try to remove yourself from the criticism and view it as a commentary on your actions or work and not a personal attack. While easier said than done, this distinction is key to responding effectively. If you can rise above the criticism and respond calmly and effectively, you will not only earn the admiration of your critic but feel better doing it. Set the right expectations, understand the benefits, remove yourself from the equation and, remember, attitude truly is everything.

2. Understand The Objective

Clearly identifying the goal of a design before you share it with others is always a good idea. Are you showing it off to mom for some fridge time? Is it a client who’s trying to solve a business challenge through design? Or perhaps you’re consulting a friend with no experience or stake in the project. Regardless, a vague or confused objective will always elicit off-target feedback, so make sure everyone involved “gets it” before taking action. To respond effectively to criticism, you need to be sure that the critic understands your goals. Be specific. Present your objective in clear and concise terms; the criticism you receive will be targeted and actionable as a result.

Clarity of Purpose

3. Check Your First Reaction

For most people (me included), the first reaction to criticism is to get defensive or even lash out. If this sounds like you, take time to develop the habit of taking a deep breath and counting to 10 before responding. This simple yet effective method gives you a chance to regain composure and allow logic to prevail over emotion. The last thing you want to do is get overly emotional and give a response that you will later regret. Remember, in most cases, your critic is only trying to help you.

Despite the initial sting, you need honest feedback to become a better designer. This is especially important for enthusiasts or beginners in the trade. All visual arts have an intrinsic reward mechanism: the more you create, the more you sense the progression of your skill. It’s a loop that keeps all artists going, and when this euphoric moment is crushed by accurate and much-needed criticism, recovering may be difficult. Keep in mind, though, that your skill and perceptiveness in this field will mature over time. If you have the right attitude to begin with, the proper response will follow.

4. Separate Wheat From The Chaff

Unfortunately, not all criticism is constructive. Some people are in a bad mood, bitter or just plain negative and will take any chance to put others down. Some are also inexperienced or unqualified to give you valuable feedback. While design is subjective, being able to separate useful feedback from cheap shots and misinformation is important. However, this is not an excuse to ignore comments that you don’t like. Unless you believe a critique was given in malice or ignorance, don’t be quick to dismiss it.

Here are a few tips to distinguish between the two:

  • Specific.
    Valuable feedback is always specific. It is clear, logical and defined. “The logo is ugly” or “I don’t like the color choice” are examples of useless criticism (if you get a lot of this, see #7 below).
  • Actionable.
    Constructive criticism should enable you to take immediate action. You should come away with a clearer idea of how to improve the concept and the path to follow.
  • Objective.
    Useful feedback is unbiased. It gives you a unique perspective without an ulterior motive. Objective criticism will always be even-tempered and appropriate.
5. Learn From It

This step is possibly the hardest one in this learning experience but by far the most important. For criticism to serve its purpose, you need to act on it! Don’t just go back to business as usual; make an effort to improve. The great thing about criticism is that it uncovers our blind spots, weaknesses that only others can see. When you’re confronted by criticism, don’t let the opportunity pass: write it down and do whatever it takes to change for the better.

If someone criticizes your copywriting skills, start with baby steps. Read a relevant blog once a week. Buy a book. Practice writing headlines for 10 minutes each day. Small victories are often the quickest path to success. Eventually you will improve and have your critic to thank.

Learn from It

6. Look For A New Idea

If you can’t learn anything new, look for a new idea. A different perspective gives you a chance to examine your work from a viewpoint that you would never have considered otherwise. Just as you get inspiration from a gallery or another talented designer, you can find ideas and inspiration in constructive criticism; seeing it just requires you to step back. Be curious, and approach the criticism objectively; it could be incredibly useful.

Criticism is sometimes the cold shower you need to wake up and hit the “Reset” button on a project. Remember, your work is based on your own preconceived notions of what the client wants, and you should always be open to the possibility that you have missed the mark. In the event that you do need to start over, discuss the objectives and expectations right away. Clarifying this information in the first place could have prevented a re-do altogether.

7. Dig Deeper When Necessary

At some point, everyone has received vague, unclear or unactionable feedback. It’s a part of life. Unfortunately, unless you take the initiative, this type of feedback is more or less useless to everyone involved. However, if you’re willing to dig a little deeper, you may uncover things that no one else was willing to tell you. Start by asking open-ended questions that get to the core of the issue, questions like, “I want to understand your point of view. Could you please provide more detail?” or “How can I improve?” Ask for specifics and, above all else, honesty. These kinds of questions will help keep communication lines open and allow you to walk away with practical and concrete advice.

Dig Deeper When Necessary

If you feel uncomfortable asking your critic for more detail, or if they are unwilling to provide it, approach someone you respect or trust and ask them what they think. Do they agree with the criticism? Why or why not? Assuming this person is honest and knowledgeable, you should be able to get the answers that you need to move forward.

8. Thank The Critic

Whether the criticism you receive is genuine or downright rude, make a point of saying “Thank you.” Thanking even your harshest critics can create a lasting impression, keep you humble and open the door to additional feedback in the future. Expressing gratitude will also make you feel better about the experience and help you alleviate any innate avoidance of feedback and criticism you may have. If you have followed the guidelines above and recognize the true value of the criticism you have received, saying “Thank you” shouldn’t be too difficult.

If you respect the person and their opinion, go one step further and develop a long-term mentoring relationship with them. Much like in the old days of craftsman and apprentice, an individual whose opinion you value and hold in high esteem can go a long way in developing your skills and abilities. If nothing else, a mentor can keep you accountable to your work and help you continually improve.

About the Author

Andrew Follett is a small-business marketing director and founder of Concept Feedback, a community of designers and marketers dedicated to sharing ideas and feedback on design projects.

Saturday, October 3, 2009

Create a Grid Based Resume/CV Layout in InDesign

Use the power of grid based designs to create a structured and professional page layout in InDesign, which can then be populated with a range of information to produce a polished CV or Resume.

CV Design

I was recently invited to participate in the Steven Stevenson challenge over at Smashing Magazine. The goal was to produce a CV or Resume layout for a fictional character using the details supplied. My approach was to create a minimal two colour design that showcased Mr. Stevenson’s sophisticated Graphic Design skills through a clean and structured layout.

CV Design

Let’s go back through the process of creating the document, and see how the initial grid layout was produced. Hopefully these techniques will not only help put together your own Resume/CV design, but also span across other Graphic and Website design projects.

Being a design aimed more towards print, and one that concentrates on the fine grid details, we’ll use Adobe InDesign as the application of choice. Being a desktop publishing package InDesign has a bunch of useful tools for creating complex layouts. Create a new document, set the page size to A4 and place margins at 10mm from each edge. We’re not planning on mass-producing the document so no bleed is necessary, but it could be handy if you’re planning on trimming down the final page if doubled up on an A3 printer.

With the basic document set up, go to Layout > Margins and Columns. Create five columns with a gutter of 5mm.

Go to the InDesign preferences and look under the Grids section. With the planned design using a lot of Cyan, it would be handy to change the colour of the gridlines from blue. Choose a colour such as Light Gray. Also change the start to 0mm from the Top Margin, Increment them to every 13pt and untick the Grids in Back option.

Ensure all grids are visible through the View > Grids and Guides menu. Our page is now ready to place elements accurately in relation to the structured gridlines.

Use the Rectangle Frame Tool to draw a box in the top right corner, with the option to Snap to Grid active the shape should fit exactly to the gridlines. Fill the box with 100% Cyan.

Create a text area with the Type tool and spell out your name. Here we’re using the fictional Steven Stevenson character along with all of his details.

Change the font to a stylish classic, such as Meta. Adjust the size of the type so that the text fits perfectly between the baselines. Once the type is positioned correctly, go to Object > Fitting > Fit Frame to Content.
With the title being large in size, any slight inaccuracies will be much more visible, spend a few moments to kern the letters. Place the cursor between two letters and nudge using the Alt and Arrow keys.

Repeat the process with the second line of text, but this time make the type smaller in size. The key is to ensure the elements align accurately to the nearest gridlines.

Draw a large text area spanning the first three columns of the page. Paste in a large selection of textual content.

Edit the text by setting in the appropriate font, set the size to 10pt and leading to 13pt to match the baseline grid. Indent the text to provide easy scanning and clear sections for each area of information.

Alter the titles in size and add the Cyan fill. Using variations in size and colour gives prominence to these elements, and helps display the various sections of information clearly.

Also alter the sub-headings to develop a clear hierarchy. The main titles at the top of the page stand out the most with their size and vibrant background colour. The secondary information is displayed under medium sized titles, which are also displayed in blue. The next level of information is set is a stronger weight font, but is toned back slightly with an 80% black, and finally the body text uses the standard 10pt black styling.

List out the contact details at the top of the right hand column. Draw a blue rectangle behind the text, but shorten it in size to just under the height of the baseline. When duplicated this will leave a tiny dividing line between each item.

Change the colour of the text to white and align it to the center of the rectangles, as opposed to the baseline itself. Notice how these elements flow neatly from the same gridline as the title.

Enter the remaining details and align as appropriate.

Add the remaining information to a text area spanning the remaining two columns. Use the same text styling and visual hierarchy on the titles and sub-headings.

Select the bunch of list items and go to Type > Bulleted & Numbered Lists > Apply Bullets. This will automatically indent the text and add points to each line.

With the list still selected, go to Type > Bulleted & Numbered Lists > Convert Bullets to Text.

We can now go through and select each bullet point, and change the text colour to Cyan, adding a little visual tweak to the page design.

Finish off the bottom of the page with a neat border using a rectangle at 210×2mm. Fill the shape with Cyan.

CV Design

Zoom out and review the layout. Make any final checks to the page elements and ensure all items are aligned to the underlying grid.

CV Design

When viewed without the guides the design holds itself together well with neatly aligned content and a clean, structured appearance. Go to File > Print, or export the layout as a PDF document.

 

Article Posted on : http://www.blog.spoongraphics.co.uk